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She fucking outlasted me.Īnd she shares some extremely optimistic thoughts about the state of humanity: Then we went out clubbing to this Afro-Caribbean two-step place and danced all night. She corrected me on all my harmonies, and by the end, it was great. Nobody necessarily wants to show up to do a giant show for 15,000 kids at Berkeley, but she told me that if I’d drive out 80 miles from Berkeley, then we could practice at her kitchen table, and if it was good, she would do it. On the last tour, we went to Berkeley and I really wanted to do “Diamonds and Rust” with Joan, and she was kind enough to accommodate me. Nowadays, you get a beautiful melody but you don’t really know what the person is talking about, or if it’s even important to them.ĭel Rey also talks about how her performance with Joan Baez in Berkeley last fall came about: In the grunge movement, a lot of the lyrics were super abstract, but the melodies and the tonality were such a vibe that you felt like you knew exactly what the singer was thinking. I hate when I hear a song that has a great melody, but I have no idea what they’re talking about. What I like about that song is that for all of its weirdness, when you get to the end of it, you understand exactly what it’s about. But with Chemtrails, it was like, ‘Is this new folk? Oh, god, are we going country?’ Now that it’s done I feel really good about it, and I think a defining moment for this album will be ‘White Dress/Waitress.'” Regarding “White Dress/Waitress,” which they recorded at Jim Henson’s studio, “being watched over by a giant Kermit,” Del Rey notes: “I’ve been really stressed about this album,” Del Rey says at one point. Chemtrails is largely about “my stunning girlfriends” and “my beautiful siblings,” all of whom are supposedly mentioned on the title track. She calls it a very “Midwestern-sounding” album, as opposed to her mourning for LA in the poetry collection and her ongoing fixation with the West Coast. And I do yell.” She says she’s been distracted by her poetry and personal life this year, but now that she’s in the homestretch of recording, “Dealer” could be the finishing touch that perfects the album. But the back-and-forth contains several nuggets about the new album.įor instance, we learn that on “Dealer,” a new song Del Rey is thinking of adding to the album, she screams her head off: “People don’t know what it sounds like when I yell. Many compliments are exchanged between the collaborators. (As of March he said they were broken up, but who knows.) It is, of course, an extremely chummy chat.
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Sean “Sticks” Larkin, the Tulsa cop and reality TV star who she recently dated. The interview was conducted by phone while Del Rey drove from Oklahoma to LA, presumably after visiting Sgt. They also veer off into other subjects, like mental health and clubbing with Joan Baez.
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Last week Del Rey shared an update from a video shoot for the title track, teasing lead single “Let Me Love You Like A Woman.” Now, in an Interview conversation with producer Jack Antonoff - who helmed the new project, as well as last year’s Norman Fucking Rockwell! and Del Rey’s recent poetry collection and spoken-word album Violet Bent Over Backwards In The Grass - she says the album is close to finished, and she shares some background on several of its songs. Well, it’s not out yet, but the promo machine has kicked into gear. In the song, she sings sad lyrics like, “He used to call me poison, like I was poison ivy” – all the while professing her love to her “cult leader” – against a thick thatch of strings, piano and surf guitar.At one point Lana Del Rey was supposed to release her new album Chemtrails Over The Country Club this past Friday.
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She also shared the ethereal, chilly track “Ultraviolence” from the album. That’s the whole record – a seven-piece band with her singing live. In a recent interview with Rolling Stone, he said he was so impressed with her demos that he wanted to record her. On June 17th, Lana Del Rey will release her new album Ultraviolence, which contains a number of songs with titles that deal explicitly with sadness: “Cruel World,” “Sad Girl,” “Pretty When You Cry.” She recorded some songs with the Black Keys‘ frontman, Dan Auerbach, as producer. I thought it was sad to be in Ireland singing for people who really cared when I wasn’t sure if I did.” It’s just heavy performing for people who really care about you, and you don’t really care that much about yourself sometimes. “I’d gotten these shots in Russia, where we’d just been,” she continued. “That’s a big part of my life: I just feel really sick a lot of the time and can’t figure out why. In the same interview, she revealed that she was battling an unknown illness when a fan in Dublin took video of her crying while singing her single “Video Games.” “I’d been sick on tour for about two years with this medical anomaly that doctors couldn’t figure out,” she said.